Although there is a lot of grumbling about the price and quality of reeds, this piece of cane does deliver an extremely clever performance.

The reed converts the "blow pressure" of a saxophonist into a vibration, in other words a specific tone. When blown, the reed easily vibrates a hundred times a minute up and down. Half the time sealing the mouthpiece. A quarter of the time fully open and the remaining time the reed is sprinting between opening and closing.

Add to this that the reed has to adjust quickly to every new pitch (low B-flat, flageolet), full stop, start, crescendo, piano and then it even has to sound great. Hour after hour, day after day and preferably a couple of weeks long.

A cane reed consists of small hollow pipes with a gluey substance in between. Let it suck a generous dose of moisture and you will get a nice, flexible and still strong reed that vibrates perfectly. However, saliva does break down the structure of a reed. The result: a weakened reed without spirit that can easily tear.

You can polish the upper side of a reed. This will prevent saliva from penetrating too rapidly, thus degrading the reed. Put the reed on a flat surface and seal the cut surface by rubbing it with, for instance, the back of a teaspoon. Move towards the tip! Just as long until the upper side is hard and smooth.

It is better to moisten the reed by putting it in a glass of water than to suck on it.Wipe the reed very clean and rinse it with water when you have finished playing.

You could also scrape it clean, but with care. Best is to leave the reed overnight in a solution of 3% hydrogen peroxide, not forgetting to rinse it with water afterwards.

Reeds often bend. Don’t worry! It only means the moisture is not evenly spread. It will regain its original form.

Best is to keep the reeds you use in a reed holder. It has to be clamped on a flat piece of plastic or glass.

Still, even though you have taken good care of the reed, it will eventually become soft and spiritless. The only thing left is to cut the edge. This is however only a temporary remedy.

In order to cut the reed it has to be very wet. Cut small pieces at a time and test it. Ultimately, you can’t cut off more than one and a half of a millimeter. If necessary you can file the round tip edge to fit the tip of the mouthpiece. (File with a nail file from the outside inwards.)

What can you do with reeds that don’t play satisfactory?
Try out the reed for a while (so play it in) because the character of the reed changes,       specially when it’s new. Usually it becomes more flexible after some time.

If it stays capricious it is often out of balance. There are some stiff parts in the reed or the reed is stiff on one side. Sometimes you can see this by holding it up against the light. You can also hear it when you blow alternately the left- and right side of your mouthpiece. With sandpaper you can sometimes correct the stiff places, but this is an art by itself! Best is to use Dutch Rush. You will get the most effect by sandpapering the sides of the reed at about a half to one and a half centimeters from the tip. Always work towards the tip. It is better to leave the thin front piece of the tip alone. It is also better to leave the hart (the V-form) of the tip alone; this is the backbone of the reed. Only when the reed is too strong for you, you can, very carefully, take some off.

There are also plastic an fiber reeds; these have a constant quality and have a prolonged life. Plastic reeds commonly sound loud and raw. A fiber reed sounds less attractive than a cane one.

Saxophone Reed Brands a Features

Rico

• Thinner vamp cut designed for ease of play
• Strength 2.0, Unfiled cut, box of 10 reeds
• Priced affordably for educators
• Also available for full range of clarinets and saxophones
• Also offered in 3-reed packs and 25-reed Novapak reed dispensers
• >>More on Rico Reeds

Rico Royal

• Traditional Rico cut with a stronger spine
• Strength 2.5, Filed cut, box of 10 reeds
• Works well for both classical and jazz applications
• Also available for full range of clarinets and saxophones
• Also offered in 3-reed packs
• >>More on the Rico Royal Range

Rico Reserve Classic

• Special cane treatment process that helps reduce reed warping
• Strength 3.5, Unfiled cut, box of 10 reeds
• Gradual tip shape, adding more tonal warmth; traditional tip thickness for a quick articulation
• Like the Reserve line, uses only the densest, lower-internode cane for longer durability and consistency
• Offered in strengths 2.0 to 4.5, including a special 3.5+ and 4.0+ strength
• >>More on Rico Reserve Classic Reeds

Rico Grand Concert Select Traditional

• Traditional tip shape for quick response
• Strength 3.0, Filed cut, box of 10 reeds
• Traditional heel thickness for a balanced tone
• Balanced spine and tip for ease of playing
• Offered in strengths 2.0 to 4.5
• >>More on the Rico Grand Concert Select Traditional

Rico Grand Concert Select Evolution

• Traditional tip shape for quick response
• Strength 3.5, Unfiled cut, box of 10 reeds
• Thicker blank for more body to the attack
• Heavier spine for greater sound projection
• Offered in strengths 2.5 to 5.0
• >>More on the Rico Grand Concert Select Traditional

Rico Plasticover

• Coated with plastic to resist changes in moisture and climate
• Strength 2.5, Unfiled cut, box of 5 reeds
• Color video inspection sorts cane quality
• Optical laser measurements ensure accuracy
• Offered in strengths 1.0 to 4.0
• >>More on the Rico Plasticover Range

Mitchell Lurie

• Feature a thinner tip for easy response
• Strength 3.0, Unfiled cut, box of 10 reeds
• Color video inspection sorts cane quality
• Optical laser measurements ensure accuracy
• Offered in strengths 1.5 to 5.0
• >>More on the Mitchell Lurie Bb Reeds Range

Vandoren Traditional

• most widely played reeds in the professional and educational world
• suit all styles of music
• superiority proven over many years
• >>More on Vandoren Traditional Reed Range

Vandoren Advanced

• thicker tip and longer pallet
• richer sound with body to the attack
• This cut is a favorite among clarinetists world-wide
• >>More on the Vandoren V-12 Advanced Range

Vandoren 56 Rue Lepic

• a rich, centered, and extremely pure sound
• maximum stability and quick response in all registers
• newest addition to the clarinet reed family
• >>More on the Vandoren 56 Rue Range

La Voz

• Stronger spine for more resistance
• Medium strength, Unfiled cut, box of 10 reeds
• Works well for multiple musical styles
• Available for all saxophones and clarinet
• Available in strengths Soft to Hard
• >>More on the La Voz Bb Reed Range

Legere Reeds

• Like all Legere reeds this reed has the properties of moist cane.
• Does not have to be Preconditioned before playing
• Completely Non-Toxic
• >>More on Legere Reeds